If you read only one Lee Child thriller, read ’61 Hours’

Child’s evocation of the Dakota winter shows how well he writes

Lee Child is justly famous for creating a compelling main character in the loner Jack Reacher and for building plots that turn the pages for you — and fast.

In 61 Hours Lee Child shows how well he can create an atmosphere and a location. The frozen tundra of Dakota is the setting and it’s almost a character in the plot. After I read 61 Hours I went back to some other Child novels and saw that he had written just as strongly about the often lonely locales of Nebraska and Indiana in other Reacher books. But it hadn’t struck me quite as forcefully as the chilly reaches of Dakota. Still it was there and it demonstrates the quality of Child’s work.

It also highlights the deftness of Child’s writing in general. Reviewers write about Child as the ultimate page-turner. It’s a guilty pleasure, writes one chap in The Guardian, that comes out in conversation only when you realize that others are addicted.

I don’t see it that way, and 61 Hours demonstrates why. Page-turner, I think, implies that the writing doesn’t get in the way. It doesn’t make you pause to think: “What does the writer mean by this phrase?” Yet without bogging down in too much description, Child creates a visceral sense of the Dakota winter.

In fact the sense of place in Child’s books is at least as strong as the sense of Reacher as a character. Often the titles of Child’s novels are a bit forgettable (though ’61 Hours’ is memorable because it relates to something specific within the plot). So the way I remember them is, “Oh, that’s the one that takes place in Boston and in a remote spot in Maine.” You see, the anchor is the place.

Perhaps that’s because Child is a Brit living in America. Maybe it gives him a heightened awareness of place.

All the Jack Reacher books are wonderful. Which is your favorite? Let me know.