Matt Rees https://validator.w3.org/feed/docs/rss2.html Why sleep is a powerful tool for a writer The hero-on-the-run mystery How to Write Cliffhangers That Keep Readers Hooked Best first paragraph: Chandler Best first paragraph: Hammett How scared should your readers be? 5 prompts to start your crime novel Write your crime fiction hero Top 7 mystery writing checklist How to use point of view Why you should plot your crime novel How to end your chapters Elmore Leonard’s Rules for Writing How to write dialogue How to end your crime novel About Matt How to write Plot Point 2 How to write the middle of your crime novel, part 2 How to write the midpoint of your crime novel How to write the middle of your crime novel How to write Act III of your crime novel How to start a novel How to diagram the plot of your crime novel How to structure your crime novel The thriller writing checklist How to write Act I of your crime novel Award-winning historical fiction and crime novels Fear the monster in China Strike 9 nonfiction lessons for fiction writing My Caravaggio novel: St. Catherine made me write it My Syria thriller: Meet the guys who want to kill you. Yes, you. The Damascus Threat: How my Syria thriller got ICE in its veins The Samaritan’s Secret Stay in touch with the latest from Matt Rees The Fourth Assassin The Damascus Threat A Grave in Gaza (UK title: The Saladin Murders) The Ambassador A Name in Blood Mozart’s Last Aria China Strike Trump and French Philosophy FREE SHORT STORY: The Sexiest Ladies The music of my Mozart thriller The Collaborator of Bethlehem (UK title: The Bethlehem Murders) Using real locations in historical fiction Mozart and Machine Guns Inspiration for Mozart Researching my Caravaggio novel: Learning to Kill Blog