The excellent UK crime fiction blog Crime Time features a guest post from me today. I write about how my initial ideas and research for my historical thriller MOZART’S LAST ARIA grew out of my attempts to soothe the trauma of covering the Palestinian intifada as a foreign correspondent.
In the current edition of London’s Literary Review, Jessica Mann leads her roundup of new crime novels with this praise for MOZART’S LAST ARIA, my historical thriller about the great composer’s death: “Matt Rees has drawn a lively portrait of eighteenth-century Vienna and of characters whose names now live only because of their connection with […]
In The Jerusalem Report, Avi Hoffmann writes a very favorable review of my latest, THE FOURTH ASSASSIN. “Former top journalist turned novelist, Rees has ventured out of Palestine this time, but uses his finely honed reporting skills to elicit the flavor of a little corner of Palestine in Brooklyn, where women wear the hijab and […]
The “Golden Age” of the detective story was the 1920s and 1930s. It was a turbulent period. In Britain, the General Strike. In the U.S., the Depression. Civil war in Spain, and in Germany the rise of the Nazis. Red scares everywhere, fascists too. But the detective story was a solace to those who lived […]
Writing of the disdain expressed for genre novels by critics, Raymond Chandler said that there were just as many bad “literary novels” of the type favored by critics as there were bad genre stories – except that the bad literary novels didn’t get published. In other words, there’s nothing inherent in so-called genre fiction that […]
Writer’s block has nothing to do with writing. That might seem obvious. When a writer wants to write, but can’t get anything out, he’s blocked. Not writing. Blocked. But it isn’t the writing that causes the block. Neither is it some psychological problem or an inability to conjure up the Muse of inspiration. It’s because […]